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	<title>transit lane &#187; In Perspective</title>
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		<title>beauty and/or horror</title>
		<link>http://www.transitlane.net/beauty-andor-horror/</link>
		<comments>http://www.transitlane.net/beauty-andor-horror/#comments</comments>
		<pubDate>Tue, 29 Jun 2010 06:57:39 +0000</pubDate>
		<dc:creator>Nigel</dc:creator>
				<category><![CDATA[In Perspective]]></category>

		<guid isPermaLink="false">http://www.transitlane.net/?p=1518</guid>
		<description><![CDATA[Is beauty a defense in the art of war? And may it be achieved through just four actions: selection, surface treatment, re-orientation, and context? See here.]]></description>
			<content:encoded><![CDATA[<p>Is <em>beauty</em> a defense in the art of war? And may it be achieved through just four actions: selection, surface treatment,  re-orientation, and context? See <a href="http://www.iconophilia.net/objects-of-war-or-objets-dart/">here</a>.</p>
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		<slash:comments>0</slash:comments>
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		<title>Controversies: The Law, Ethics and Photography</title>
		<link>http://www.transitlane.net/controversies-photography-ethics-and-the-law/</link>
		<comments>http://www.transitlane.net/controversies-photography-ethics-and-the-law/#comments</comments>
		<pubDate>Mon, 28 Jun 2010 03:30:58 +0000</pubDate>
		<dc:creator>Nigel</dc:creator>
				<category><![CDATA[In Perspective]]></category>
		<category><![CDATA[Out there]]></category>

		<guid isPermaLink="false">http://www.transitlane.net/?p=1514</guid>
		<description><![CDATA[Alas! you just missed it&#8230; This exhibition at the Kunsthaus Wien is worth looking into, despite the warning that &#8220;KUNST HAUS WIEN recommends that highly sensitive persons do not visit the exhibition.&#8221; Of course all TransitLane readers fall into that category&#8230; Read more here]]></description>
			<content:encoded><![CDATA[<p>Alas! you just missed it&#8230; This exhibition at the Kunsthaus Wien is <a href="http://www.kunsthauswien.com/en/ausstellungen/aktuell.html">worth  looking into,</a> despite the warning that &#8220;KUNST HAUS WIEN recommends                   that highly sensitive persons do not visit the   exhibition.&#8221; Of course <em>all</em> TransitLane readers fall into that  category&#8230; Read more <a href="http://www.wieninternational.at/en/node/19153">here</a></p>
]]></content:encoded>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Sentiment Mining&#8230;</title>
		<link>http://www.transitlane.net/sentiment-mining/</link>
		<comments>http://www.transitlane.net/sentiment-mining/#comments</comments>
		<pubDate>Sun, 27 Jun 2010 03:37:35 +0000</pubDate>
		<dc:creator>Nigel</dc:creator>
				<category><![CDATA[In Perspective]]></category>

		<guid isPermaLink="false">http://www.transitlane.net/?p=1511</guid>
		<description><![CDATA[Is a great new expression! Listen to Shevonne Hunt&#8217;s Background Briefing on the ABC.]]></description>
			<content:encoded><![CDATA[<p>Is a great new expression! Listen to Shevonne Hunt&#8217;s <a href="http://www.abc.net.au/rn/backgroundbriefing/stories/2010/2933391.htm">Background Briefing</a> on the ABC.</p>
]]></content:encoded>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>rough justice &#8211; copyright in the U.S. limits artistic licence to work from others&#8217; photographs</title>
		<link>http://www.transitlane.net/rough-justice-copyright-in-the-u-s-limits-artistic-licence-to-work-from-others-photographs/</link>
		<comments>http://www.transitlane.net/rough-justice-copyright-in-the-u-s-limits-artistic-licence-to-work-from-others-photographs/#comments</comments>
		<pubDate>Sat, 29 May 2010 23:29:03 +0000</pubDate>
		<dc:creator>Nigel</dc:creator>
				<category><![CDATA[In Perspective]]></category>

		<guid isPermaLink="false">http://www.transitlane.net/?p=1487</guid>
		<description><![CDATA[See this discussion on ArtDaily]]></description>
			<content:encoded><![CDATA[<p>See this discussion on <a href="http://www.artdaily.org/index.asp?int_sec=2&amp;int_new=38334">ArtDaily</a></p>
]]></content:encoded>
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		<slash:comments>1</slash:comments>
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		<title>Dear Germaine</title>
		<link>http://www.transitlane.net/dear-germaine/</link>
		<comments>http://www.transitlane.net/dear-germaine/#comments</comments>
		<pubDate>Tue, 27 Apr 2010 06:34:28 +0000</pubDate>
		<dc:creator>Nigel</dc:creator>
				<category><![CDATA[In Perspective]]></category>

		<guid isPermaLink="false">http://www.transitlane.net/?p=1418</guid>
		<description><![CDATA[&#8230; sometimes discretion is the better part of valour. Or, read Germaine doing what my Dad used to call &#8220;catching flies&#8221;. Tags: Wynn Prize, appropriation, cross-cultural, trans-historical, Dutch landscape, Italianate, etc.]]></description>
			<content:encoded><![CDATA[<p>&#8230; sometimes discretion is the better part of valour. Or, read Germaine doing what my Dad used to call <a href="http://blogs.crikey.com.au/culture-mulcher/2010/04/27/germaine-to-aussies-on-the-wynne-fuss-its-all-in-your-mind/?source=cmailer">&#8220;catching flies&#8221;</a>.</p>
<p>Tags: Wynn Prize, appropriation, cross-cultural, trans-historical, Dutch landscape, Italianate, etc.</p>
]]></content:encoded>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Lee Bul eschews Modernist perspective, whatever that means&#8230;</title>
		<link>http://www.transitlane.net/lee-bul-eschews-modernist-perspective/</link>
		<comments>http://www.transitlane.net/lee-bul-eschews-modernist-perspective/#comments</comments>
		<pubDate>Mon, 19 Apr 2010 00:28:13 +0000</pubDate>
		<dc:creator>Nigel</dc:creator>
				<category><![CDATA[In Perspective]]></category>
		<category><![CDATA[Out there]]></category>

		<guid isPermaLink="false">http://www.transitlane.net/?p=1409</guid>
		<description><![CDATA[thanks to Breakfastpolitics for the lead to this interview... And there&#8217;s a prize if anyone can find a decent image of the works being discussed. The Hara Museum ARC link has a PR download, but the images are tiny&#8230; Great website, but&#8230; Mind you, she has a particularly singular view of capital M Modernism: &#8220;It [...]]]></description>
			<content:encoded><![CDATA[<p>thanks to Breakfastpolitics for the lead <a href="http://search.japantimes.co.jp/cgi-bin/fa20100409a1.html">to this interview.</a>.. And there&#8217;s a prize if anyone can find a decent image of the works being discussed. The Hara Museum ARC link has a PR download, but the images are tiny&#8230; Great website, but&#8230; Mind you, she has a particularly singular view of capital M Modernism:</p>
<p id="paragrah">&#8220;It depends on what meaning we ascribe to Modernism. I  would say the base concept behind Modernism is still perspective, which  is why I used the Classical Greek form of the body as a departure point  in &#8220;Cyborg&#8221; and &#8220;Anagrams,&#8221; because that kind of humanism contains  perspective. But my current sculptures don&#8217;t have any perspective.  Even if it looks like they do, there are mirrors and other reflective  surfaces that distort everything into a twist on traditional  perspective.&#8221;</p>
]]></content:encoded>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>when is homage plagiarism?</title>
		<link>http://www.transitlane.net/when-is-homage-plagiarism/</link>
		<comments>http://www.transitlane.net/when-is-homage-plagiarism/#comments</comments>
		<pubDate>Tue, 13 Apr 2010 23:41:40 +0000</pubDate>
		<dc:creator>Nigel</dc:creator>
				<category><![CDATA[In Perspective]]></category>

		<guid isPermaLink="false">http://www.transitlane.net/?p=1405</guid>
		<description><![CDATA[read Chris McAuliffe, Director, Ian Potter Gallery, on the Wynn Prize controversy&#8230;]]></description>
			<content:encoded><![CDATA[<p>read Chris McAuliffe, Director, Ian Potter Gallery, on <a href="http://www.theaustralian.com.au/news/opinion/no-sin-to-dip-into-pool-of-creativity/story-e6frg6zo-1225853389628">the Wynn Prize controversy</a>&#8230;</p>
]]></content:encoded>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>synchronicity</title>
		<link>http://www.transitlane.net/synchronicity/</link>
		<comments>http://www.transitlane.net/synchronicity/#comments</comments>
		<pubDate>Tue, 13 Apr 2010 01:23:52 +0000</pubDate>
		<dc:creator>Nigel</dc:creator>
				<category><![CDATA[In Perspective]]></category>

		<guid isPermaLink="false">http://www.transitlane.net/?p=1403</guid>
		<description><![CDATA[Dictionary.com&#8217;s Word of the Day for Monday was&#8230; neologism. This blog has effect!]]></description>
			<content:encoded><![CDATA[<p>Dictionary.com&#8217;s Word of the Day for Monday was&#8230; <a href="http://dictionary.reference.com/wordoftheday/archive/2010/04/12.html">neologism</a>. This blog has effect!</p>
]]></content:encoded>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>art + money = ?</title>
		<link>http://www.transitlane.net/art-money/</link>
		<comments>http://www.transitlane.net/art-money/#comments</comments>
		<pubDate>Mon, 12 Apr 2010 01:04:47 +0000</pubDate>
		<dc:creator>Nigel</dc:creator>
				<category><![CDATA[In Perspective]]></category>

		<guid isPermaLink="false">http://www.transitlane.net/?p=1394</guid>
		<description><![CDATA[Ever wonder where this equation started to go crazy? Fred Kaplan in the NYT writes about the Scull collection.]]></description>
			<content:encoded><![CDATA[<p>Ever wonder where this equation started to go crazy? <a href="http://www.iconophilia.net/the-contemporary-art-market-started-here/">Fred Kaplan in the NYT</a> writes about the Scull collection.</p>
]]></content:encoded>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Roberta Smith proclaims there&#8217;s life in Painting yet</title>
		<link>http://www.transitlane.net/roberta-smith-proclaims-theres-life-in-painting-yet/</link>
		<comments>http://www.transitlane.net/roberta-smith-proclaims-theres-life-in-painting-yet/#comments</comments>
		<pubDate>Mon, 29 Mar 2010 23:46:41 +0000</pubDate>
		<dc:creator>Nigel</dc:creator>
				<category><![CDATA[In Perspective]]></category>

		<guid isPermaLink="false">http://www.transitlane.net/roberta-smith-proclaims-theres-life-in-painting-yet/</guid>
		<description><![CDATA[See the link at iconophilia&#8230;]]></description>
			<content:encoded><![CDATA[<p>See the link at <a href="http://www.iconophilia.net/roberta-smith-applies-the-mirror-test-to-painting/">iconophilia</a>&#8230;</p>
]]></content:encoded>
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